Undisputed
Attitude Tour
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Slayer was in top form on Thursday night, August
22, at SaltAir Pavilion in Salt Lake City. From beginning with
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"South of Heaven" to a traditional ending with "Angel
of Death," they kept up the pounding energy and furious
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head-banging for which they are known. Slayer's set
included five songs from the album "Undisputed Attitude," as well
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as many of their best songs from earlier albums.
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All four band members seemed very practiced and fine-tuned,
and every song was tight as a virgin's honey pot.
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Tom Araya's voice remained strong throughout the
rather demanding songs in their set, and the sound man even made
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his bass audible once in a while. New drummer Jon
Dette, originally from Testament, was very solid; his double bass
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footwork went "tick tock, tick tock" like a stopwatch
on speed (and he nailed the solo part near the end of "Angel of
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Death," along with the solo part before the bridge
of "War Ensemble"). Jeff Hanneman's lead playing has assumed its
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original energetic frenzy like that of the early
days, yet kept the accuracy of his studio solos. Kerry was Kerry--looking
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cool, playing his ass off, thrashing about with his
tattooed bald head; he too displayed some very accurate, not to mention
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creative and cool, lead playing. Their light show
seemed a bit scaled-down in comparison to the lightning-strike pulses of
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the Divine Intervention tour; but it was chilling
nonetheless. Instead of the usual leather, Slayer wore summer
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clothing--surfer shorts and tank-tops--which was
smart considering Salt Lake's recent 100-degree weather and how like a
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sauna it can be inside SaltAir Pavilion during a
metal show.
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The set was comprised of the following (though I'm
not absolutely sure about the order):
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South of Heaven
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War Ensemble
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Abolish Government/Superficial Love--T.S.O.L.
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Captor of Sin
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Richard Hung Himself--D.I.
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Gemini
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Dittohead
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Mr. Freeze--Dr. Know
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Sex. Murder. Art.
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Chemical Warfare
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Hell Awaits
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The Antichrist
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Necrophiliac
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Dead Skin Mask
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Seasons in the Abyss
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Filler/I don't Want to Hear It--Minor Threat
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I Hate You--Verbal Abuse
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Raining Blood
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Killing Fields
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Mandatory Suicide
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Angel of Death
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The only thing that was strange about the show itself
were the two bands that opened--Unsane, a band who seemed
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to be the answer to the question, "If Nirvana were
from New York instead of Seattle, what would they look/sound like?";
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and d.f.l. (I don't have any particular comments
about these guys). Both bands seemed apologetic and gracious toward
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the audience for putting up with them while waiting
for Slayer to take the stage; Unsane's lead singer was like "OK, we're
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just going to do our set and then SLAYER!! is up
next"..."OK, we just have a couple more songs and then SLAYER!! is
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up next"..."OK, this is our last song, and then..."
[pause for crowd to scream SLAYER!!]... Since it must be hard to play
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for a crowd who keeps chanting another band's name,
normally I would feel sympathy for any good band opening up for
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Slayer; unfortunately, however, these two bands just
weren't.
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As for the scene in general, SaltAir Pavilion is
a great place to see shows. There are no seats, so mosh pits tend to
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start wherever people feel like having them; and
there is a nice balcony along three sides of the building, for those of
the
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spectatorial mindset. The building has windows all
along the same three sides on which the balcony is built, which is nice
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for those who get too hot, or just need a break from
the tobacco and marijuana smoke-filled air inside. SaltAir is built on
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the beach of the Great Salt Lake, which can be a
good thing or a bad thing, depending on how fragrant the lake is that
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day; but people are allowed between sets to go outside
and enjoy the scenic beauty of the site.
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One thing that threatened to ruin my fun that night
was the few assholes there who decided to start a fight--right
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where I was standing at the time, in fact. I saw
an ambulance and about ten patrolmen from the County Sheriff's and the
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UHP doing 10-80 toward SaltAir while I was going
home--later I found out that after the show five people there had been
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stabbed and were in serious condition. What a fucking
drag.
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However, nothing can ruin the fact that after all
these years, I can still rely on Slayer to keep kicking ass. No other
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band I know of has stayed so true to themselves for
such a long time. This was my fourth time seeing Slayer live, and
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I'm happy to say that it was a pleasure once again.
Tom Araya thanked all of us for our loyalty; but I want to thank Tom
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personally for his. I think that's the reason that
Slayer fans are so loyal: because Slayer are so loyal to their fans, and
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because Slayer clearly takes the loyalty of their
fans seriously. It's called integrity.
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E-mail me at: [email protected]
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