Face the Slayer Slayer Metal Storm/Face the Slayer Show No Mercy Tabbed by Mike Kimball If it looks f***ed up, try changing the font to something non-proportional, such as Courier or Monaco, size 12, with 6" line width. Fig. 1 |------------------------------------------------------------ |------------------------------------------------------------ |------------------9-----------4---5-------5-------7-------2- |------------------9-----------4---5-------5-------7-------2- |------------------7-----------2---3-------3-------5-------0- |--0-0-0-0-0---0--------------------------------------------- |------------------------------------------------------------ |------------------------------------------------------------ |------------------9-----------4---5-------5-------12-----11- |------------------9-----------4---5-------5-------12-----11- |------------------7-----------2---3-------3-------10-----*9- |--0-0-0-0-0---0--------------------------------------------- Fig. 2 [Gtr. 1] |--------------------------------------------| |--------------------------------------------| |--------------------------------------------| |--7------7-8----7---------------------------| |----8-10-----10---8-10-7-8----7------7-8----| |---------------------------10---8-10-----10-| [Gtr. 2] |--------------------------------------------------| |--------------------------------------------------| |--9-------9-10----9-------------------------------| |----10-12------12---10-12-9-10----9-------9-10----| |-------------------------------12---10-12------12-| |--------------------------------------------------| [power chords *root 6th string*] A ... A ... A ... A ... G _ A ... A ... F ... G ... A ... F ... G ... A ... A ... A ..... Fig. 3 |----------------------|------------------------- |----------------------|------------------------- |--------------------5-|-[----Power chords------- |--7-----7-----7-----5-|------------------------- |--0-0-0-0-0-0-0-0-0---|-D-D-D-D-D-D-F-----E----- |----------------------|------------------------- |-------------------------- |-------------------------- |------------------------]- |-------------------------- |--------------------C----- |--G-G-G-G-G-G-A----------- Fig. 4 |---------------------------------------------------- |---------------------------------------------------- |--9-----9-----9-----9-----10-----7-----9-----5------ |--9-----9-----9-----9-----10-----7-----9-----5------ |--7-----7-----7-----7-----*8-----5-----7-----3------ |----0-0---0-0---0-0---0-0----0-0---0-0---0-0---0-0-- Fig. 5 |---------------------------------------------------- |---------------------------------------------------- |---------------------------------------------------- |---------------------------------------------------- |--------------7-------7---8-------------------7----- |--0---0-0-0-------------------0---0---0-0-0--------- |------------||----------------- |------------||----------------- |------------||--------------3-- |------------||--------------3-- |--7---------||--------------1-- |------8---7-||--0---0-0-0------ Fig. 6 |-------------------------------------------------- |-------------------------------------------------- |--7-----------7-------------------7-----------10-- |--7-----------8-------------------7-----------*8-- |------0-0-0-------0-0-0-0-0-0-0-0-----0-0-0------- |-------------------------------------------------- |------------------||---------------------------------- |------------------||---------------------------------- |------------------||--7-----------7------------------- |------------------||--7-----------8------------------- |--0-0-0-0-0-0-0-0-||------0-0-0-------0-0-0-0-0-0-0-0- |------------------||---------------------------------- |--------------------------------- |--------------------------------- |--9------------------------------ |--7------------------------------ |------0-0-0-------7---8---7------ |--------------8---------------8-- Fig. 7 [solo] |------------------------------------------------- |------------------------------------------------- |--7-----------5-------------------4-----------5-- |--7-----------5-------------------4-----------5-- |------0-0-0-------0-0-0-0-0-0-0-0-----0-0-0------ |------------------------------------------------- |------------------|| || |------------------|| || |------------------|| [power chords] || |------------------|| || |--0-0-0-0-0-0-0-0-|| D---F---E---C--- || |------------------|| A || Fig. 8 |---------------------------------------------------- |---------------------------------------------------- |---------------------------------------------------- |---------------------------------------------------- |--5-5-5-5-5-5-8-8-8-8-8-8-7-7-7-7-7-7--------------- |--------------------------------------8-8-8-5-5-5--- Fig. 9 |-------------------------- |-------------------------- |--------------------2----- |--------------2-------3-2- |--------2-------3-0------- |--0-2-3---3-0------------- Fig. 10 |--------------||---------------------------------------- |--------------||---------------------------------------- |--------------||--------------------------5------------- |---------2----||--------------2-----------5-----5-----2- |---------2----||--3^2---2-3-5-2-----------3-----5-----2- |--0-2-3--0----||------3-------0-----------------3-----0- Fig. 11 |----------------------||-------------------------- |----------------------||-------------------------- |----------------------||-------------------------- |--------------------5-||--------------8^7---7----- |--5^7---5^7---5^7---5-||--5^7---5^7-------8---8^7- |------0-----0-----0---||------0-----0------------- Fig. 12 |-- |--[power chords] |-- |-- |--B-B-B-B-B-B-D-----C#---- A----- |-- E-E-E-E-E-E-F#---- Fig. 13 |---------------------------------------------- |---------------------------------------------- |--------------------5-----------------------8- |--7-----7-----7-----5-----7-----7-----7-----8- |--0-0-0-0-0-0-0-0-0-------0-0-0-0-0-0-0-0-0--- |---------------------------------------------- |----------------------------------------------- |----------------------------------------------- |--------------------10----------------------12- |--7-----7-----7-----10----7-----7-----7-----12- |--0-0-0-0-0-0-0-0-0-------0-0-0-0-0-0-0-0-0---- |----------------------------------------------- |------------------------------------------------------ |------------------------------------------------------ |--------------------5---------8---------10---------12- |--7-----7-----7-----5---7-----8---7-----10---7-----12- |--0-0-0-0-0-0-0-0-0-----0-0-0-----0-0-0------0-0-0---- |------------------------------------------------------ Fig. 14 [gtr. 1] |----------------------------------------------------------- |----------------------------------------------------------- |--12-14-15-12-14----12------------------------------------- |-----------------15----14-15-12-14----12-14-15-12-14------- |-----------------------------------15----------------15-12- |----------------------------------------------------------- [gtr. 2] |----------------------------------------------------------- |----------------------------------------------------------- |----------------------------------------------------------- |--12-14-15-12-14----12------------------------------------- |-----------------15----14-15-12-14----12-14-15-12-14----12- |-----------------------------------15----------------15---- &*@%!!&*@%!!&*@%!!&*@%!!&*@%!!&*@%!!&*@%!!&*@%!!&*@%!!&*@%!!&*@%!! &*@%!!&*@%!!&*@%!!&*@%!!&*@%!!&*@%!!&*@%!!&*@%!!&*@%!!&*@%!!&*@%!! Transcribed (play by ear, and then write it down) by Mike Kimball For comments, commendations, or criticisms, please e-mail me at fulfillment@geocities.com Snail mail: 6519 Sumac Way Salt Lake City, UT 84121 USA ****FOR EDUCATIONAL USE ONLY!! USE THIS FOR COMMERCIAL**** ****PURPOSES, AND WE WILL HUNT YOU DOWN, KILL YOU, THEN**** ****TORTURE YOUR IMMORTAL SOUL FOR ALL ETERNITY!!!!!!!!****