Slayer
At The Trocadero Club
-
Written by Guy Rittger ([email protected]) - thanks
dude!
-
Review of Slayer at the Trocadero Club, San Francisco,
Aug. 24 1996.
-
SLAYER SLAYER SLAYER SLAYER SLAYER SLAYER SLAYER
SLAYER
-
We arrived at the Trocadero Club around 7:15 p.m.
and were among the first
-
50 people in line. By 8:30, the line stretched
all the way down the
-
street for several hundred meters. While we
were waiting, James Murphy,
-
guitarist from Disincarnate, Obituary and Testament,
arrived and started
-
handing out leaflets for his new solo album.
I asked him if he thought
-
Testament might re-form but he said that the decision
to break up was made
-
by Chuck Billy and Eric Peterson, without consulting
either him or Greg
-
Christian, and he didn't know what those two were
going to do next.
-
Apparently, after Chuck and Eric broke up the band,
their record company
-
informed them that they still needed to do one more
album! So, we might
-
see at least one more Testament project in the near
future.
-
The doors finally opened at 9:00 and we went in and
stood in front of the
-
sound board, about 25 meters from the stage.
My wife really loves metal
-
but doesn't like getting swept into the pit, so that's
why we stayed near
-
the back. The Trocadero is a _REALLY_ small
place and they packed it up
-
completely so that it was almost impossible to walk
anywhere without
-
fighting through the crowd.
-
At 9:30, the first band came on. It was D.F.L.
(Dead Fucking Last), a
-
four-piece punk band who played pretty fast old-style
thrash. At first,
-
the crowd kept shouting "Slayer! Slayer!"
But the singer had a good
-
sense of humor and lots of charisma and after awhile
the crowd started
-
getting into their music. A small pit got started
and people were
-
applauding their set. My wife spoke with the
guitarist afterwards and
-
asked why the band wanted to open for Slayer, since
their style is so
-
different. He said they thought it would be
fun! I thought they were
-
pretty good, though very traditional punk.
Drumming and bass playing were
-
very fast and hard, and the vocals were impossible
to understand. But
-
they had good stage presence and the crowd liked
them.
-
Next up, Unsane, a band that I had never heard before.
They started by
-
playing a tape with dialogue from the movie "Taxi
Driver" then came out
-
onto the stage and took up their positions.
Unsane is a three-piece band
-
(guitar-bass-drums) but made a _BIG_ sound.
I wasn't sure what to expect,
-
since I read a review of a show they played in New
Jersey that was
-
unfavorable. But they were excellent.
They reminded me of Prong, Helmet,
-
Machine Head, and Biohazard: huge guitar sound
with very heavy bass and
-
drums. Crowd really liked them and the pit
started churning very
-
aggressively. Between songs, the guitarist
was shouting "Slayer! Slayer!"
-
into the microphone and this made the crowd happy.
I will definitely buy
-
their CD, since my wife and I were impressed with
their sound.
-
Now, the main event! After Unsane finished,
the roadies started pulling
-
the sheets off Slayer's equipment and revealed a
massive drum kit, more
-
like what you would expect for a stadium show, not
a small club. So then,
-
everyone knew it was going to be a really loud set!
We had to wait more
-
than 30 minutes, and the crowd was chanting "Slayer!
Slayer!" and getting
-
ready to explode. It was almost impossible
to move and the temperature
-
was so warm we were sweating, even though we hadn't
gone into the pit
-
during the first two sets. Finally, the lights
went down and Slayer came
-
onto the stage and when they hit the first notes
the crowd surged forward
-
and the pit went crazy!
-
The first thing that hit me was how incredible Paul
Bostaph's (?) drumming
-
sounded. Every time he hit the bass drums it
felt like getting hit with a
-
hammer in the head and stomach. Many times
we have seen shows at this
-
club where the sound was muddy, but Slayer sounded
very clear AND very
-
loud. I wish we could remember the order of
the songs that they played
-
but everything was so intense that I just can't recall
right this minute.
-
For me, the highlights were "War Ensemble", "Seasons
in the Abyss"
-
(absolutely fantastic song!), "Mandatory Suicide",
"Killing Fields" and
-
the TSOL cover from "Undisputed Attitude."
But, really, every single song
-
was great. After about three songs, my wife
had to retreat back towards
-
the bar, in the rear of the club, because the pit
was churning so hard and
-
it was so hot. So, then, I went straight into
the pit and just went
-
crazy. At one point, I was right in front of
Tom and Kerry and people
-
were going over my head and security guards were
throwing them back. I
-
was absolutely soaked with water, beer and sweat.
It was impossible to
-
stand in one place very long because the pit would
just suck you right
-
back in and suddenly you were on the other side of
the stage or on the
-
ground, then invisible hands would drag you up again,
and over and over.
-
Just when I thought that maybe the crowd would relax,
Slayer would crank
-
it up and raise the energy to an even higher level.
-
Musically, besides the drumming, which was some of
the best speed metal
-
drumming I've ever heard, I thought that Kerry's
soloing has improved
-
dramatically. Even though I like all the screaming,
feedbacked tremolo
-
bar stuff he does on "Decade of Aggression", his
playing last night was
-
very, very clean and fluid. He seemed in total
control of his instrument.
-
Actually, I'd say the same for Jeff as well.
The band just seemed really
-
tight, and disciplined, which is not really how they
sound on the "Decade"
-
live recordings (which I like very much anyway).
-
Slayer closed with "Mandatory Suicide" and "Angel
of Death" and, when it
-
was all over, the crowd (and I) was totally exhausted.
Slayer basically
-
extracted every ounce of energy from the fans and
left them weary, but
-
content.
-
-----------------------------------------------------------------------------
-
If YOU want to publish this review on YOUR home page,
ask for permission
-
from Guy ([email protected]) first! *DO NOT* just
rip it without asking.
-
E-mail me at: [email protected]
-
All copyrights belong to their owners